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ushio15 (December 31, 1969 at 4:59 pm)
狂気の沙汰ですね
bahijd (December 31, 1969 at 4:59 pm)
Just ine word...AWESOME.
Reanimator999 (December 31, 1969 at 4:59 pm)
You mean animation details as in animating subtle, tiny details right? Like flying debris and stuffs. I thought you're talking about graphic details. My mistake.Animators don't do coloring, but their key animation drawings indicate where to color. Anno worked on many notable anime titles as FX animator. On "Macross the movie" (0:57-0:59, 1:00-1:04), he was one of the key animators. Have you ever visited Anipage Daily? It's an excellent website to get info about Japanese animators.
deinol (December 31, 1969 at 4:59 pm)
I'm not talking about shading and stuff, but animation details. By the way, do animators have to do the colorings as well?The monster at 2:17 is lively and real. His laser beam was awesome, too.Anno also seemed to have done some of the best explosion effects (1:00~1:04, 2:04~2:08) - those "low air pressure" expressions might not be real, but they give a strong visual impact.0:57 - 0:59 those blue beams/lasers are quite fancy; and the timings, though probably not by Anno, were fantastic.
Reanimator999 (December 31, 1969 at 4:59 pm)
For current animations, I think it's more like simplifying certain detail in order to have better expression of motion. Older shows, notably 80's and 90's, tend to have high shading details.
Reanimator999 (December 31, 1969 at 4:59 pm)
That's almost true, but talented people from all over the world come to Hollywood because of good wages. Actually Japanese animation industry is having difficult time gathering talented people from their home due to worsening living condition. So Japan is slowly attracting talented artists from France, South Korea, and United States to work in their studios.
wrongimpressionist (December 31, 1969 at 4:59 pm)
Anime and Manga collects the talents in Japan,as Hollywood is a bulk of talented people in the States.
deinol (December 31, 1969 at 4:59 pm)
Cool.Many of them are pretty old, but apart from just problems in coloring techniques and drawing styles (which was technically restricted), they still are excellent ... the visual dynamics were done with great detail to produce vivid motion, which are unseen even in many present high quality animations. I especially liked 2:04~2:11, but most of the others are awesome enough.Dammit...
Reanimator999 (December 31, 1969 at 4:59 pm)
Not too mention he is the director of Evangelion. I envy Japan for having all these talented people.
TerminusTypeR (December 31, 1969 at 4:59 pm)
your right, this guy is awesome! |
